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Updated: Jan 2




ANOTHER YEAR of memorable reading has come to an end. Most of my 2024 reads were new releases, although a few go back a number of years. Released this past spring, We Were the Bullfighters, Marianne Miller’s fictionalized account of Ernest Hemingway’s four-month stint as a staff re porter at the Toronto Daily Star and Norman “Red” Ryan’s daring escape from Kingston Penitentiary, was my top read of the year. Researching Hemingway’s newspaper coverage of Ryan’s escape, Miller decided the facts didn’t capture the emotional hearts of the two men, and turned her hand to fiction. A masterful blend of fact and fiction, and a real page-turner from a new Canadian author.


Jeffrey Round’s The Sulphur Springs Cure was a noteworthy 2024 release. Part mystery, part coming-of-age story with nuanced characters and a terrific setting, the novel is a departure from Round’s gritty Dan Sharp mysteries, and displays this Canadian writer’s range and versatility.


Award-winning Canadian crime writer Anthony Bidulka released the second mystery in his Merry Bell series this year. From Sweetgrass Bridge continues Merry’s adventures in Livingsky, Saskatchewan. It’s a delightful read, and I hope the series will continue far beyond this second installment.


The late Kevin Mitnick’s 2005 The Art of Intrusion: The Real Stories Behind the Exploits of Hackers, Intruders & Deceivers is one of my few reads this year that was not fiction. Mitnick was a high-profile U.S. hacker who spent five years in prison, then devoted himself to helping businesses and governments combat data thieves. The Art of Intrusion provides hell-raising stories of real-life computer break-ins, and how they could have been prevented. Essential reading for anyone crafting cyber crime fiction.


Just a few weeks ago, my husband presented me with Yellowface by American writer R.F. Kuang. “You’ll like this novel,” he said, and I did. It’s the story of what happens when June Hayward, a struggling writer with one novel to her credit, steals an unedited manuscript written by a deceased Asian-American friend. June polishes the manuscript, and publishes it under the name Juniper Song, her real first and middle names. Desperate for success, June works hard to maintain her lie, but she's an unlikeable protagonist. The strengths of Yellowface are the underlying questions it poses: about the publishing industry, the role of social media in shaping careers, and cultural appropriation: the stories writers are currently allowed to write, given their race and ethnic background, gender, and sexual orientation. And the wonderful irony that Kuang, herself an Asian-American writer, tells this story through the eyes of a white writer.


Maureen Jennings’ Night’s Child, was first published in 2005, and I finally got around to reading it this summer. Don’t know why I put it off so long, but it’s now my favourite Murdoch mystery. This autumn, I followed up with Jennings’ new release, March Roars, the fourth in her Paradise Café series, set in Toronto shortly before the Second World War. A historical crime writer, Jennings explores the social issues of different periods of history with insight and compassion. Her recent appointment to the Order of Canada, one of Canada’s highest honours, is well-deserved.


The following are books I enjoyed this year, in alphabetical order of their authors’ surnames.


David W. Barber, Hedshot

Anthony Bidulka, From Sweetgrass Bridge  

Gail Bowen, The Legacy

M.W. Craven, Dead Ground

Renny deGroot, Garden Girl

Erik D’Souza, Death on the Rocks

Ian Ferguson & Will Ferguson, I Only Read Murder

Alice Fitzpatrick, Secrets in the Water

Maureen Jennings, March Roars  

Maureen Jennings, Night’s Child 

Janet Kellough, The Burying Ground

Janet Kellough, Sowing Poison

Janet Kellough, 47 Sorrows

Janet Kellough, Wishful Seeing

R.F. Kuang, Yellowface

Neil Lancaster, Dead Man’s Grave

Nina Laurin, What My Sister Knew

Mesdames of Mayhem, The 13th Letter

Marianne Miller, We Were the Bullfighters   

Chris Pavone, The Expats

Nita Prose, The Mystery Guest

Nathan Ripley, Find You in the Dark

Jeffrey Round, The Sulphur Springs Cure

Simone St. James, The Broken Girls

Amy Tector, The Foulest Things

Colm Toibin, Long Island

A.K. Turner, Case Sensitive

Angela Van Breemen, Past Life’s Revenge

Ruth Ware, The Lying Game

Sylvia Multash Warsh, The Orphan

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THIS FALL, the intrepid Mesdames of Mayhem released The 13th Letter, our collective's sixth crime fiction anthology. Our first collection, Thirteen, came out in 2013.


The 13th Letter features 22 stories by 19 of our mesdames and three messieurs, all centred around wicked words beginning with the 13th letter of the alphabet: malice, maleficence, manslaughter, Machiavelli, mayhem and, of course, murder.


Eight of us were interviewed last week by Crime Writers of Canada's Erik D'Souza. We spoke to him about our 11-year history as a collective and our six anthologies, especially The 13th Letter.


Check our interview on YouTube by clicking here.

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A FEW WEEKS AGO, Ben Fox, a book lover with a mission to help authors meet more readers, asked me to post my three favourite reads of the year on his website, www.shepherd.com, something I have done for the past few years. Given that are still 10 weeks of good reading this year, my picks are not definitive for 2024. But I was able to come up with three books that I especially enjoyed by three outstanding Canadian crime writers: Marianne Miller, Jeffrey Round and Maureen Jennings. All three books were released this year.



Check out what I said about We Were the Bullfighters, The Sulphur Springs Cure, and March Roars in my post, which was published today.




Thank you, Ben, for your work and drive in bringing books to the attention of readers around the world!



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